Blog

Why Wet Market Feels Like Ryan’s Sketchbook on Fire
The Comics Equivalent of a Black Metal Album
Why Johnny Ryan’s Work Should Be Preserved in Museums (and Burned)
The Ecstasy of Bad Taste in Ryan’s Zines
Why Johnny Ryan is an Artist of the Unacceptable
The Real Target of Johnny Ryan’s Comics Is Everyone
Johnny Ryan’s Filth is Actually Structured Like a Joke
How Johnny Ryan Uses Simplicity as a Weapon
Why You Can’t Review Johnny Ryan Like Normal Comics
Johnny Ryan and the New Wave of Gross-Out Comics
Why Johnny Ryan Will Never Be Mainstream — Thank God
The Obscene Beauty of Johnny Ryan’s Covers
Johnny Ryan Isn’t a Shock Artist — He’s a Comic Surgeon
Prison Pit’s World is a Place of Pure Cartoon Id
Why People Keep Buying Johnny Ryan Comics (Even If They’re Ashamed)
Why Johnny Ryan is a Master of Comic Timing
Johnny Ryan’s Panels Are Punchlines
What Makes Prison Pit So Visually Addictive
Johnny Ryan Comics Are an Act of Visual Aggression
The Quiet Brilliance Behind the Crude
Offensive Comics Are a Genre — and Johnny Ryan Is the Blueprint

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