In Icons Vol. 1, Shintaro Kago mutates the cultural canon. Monroe, Einstein, Freud, Walt Disney — no one escapes his surgical sense of parody. These aren't caricatures; they're autopsies of fame.
Each portrait feels like a forensic file gone mad. You recognize the figure, but something is off: the smile’s too wide, the skin too loose, the meaning too warped. It’s funny, but the laugh catches in your throat.
Icons proves that even legends bleed — and in Kago’s world, they bleed beautifully.
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